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Timmytats 

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At 6 years of age Tim Sellers knew that all he ever wanted was to draw. Over the years, most of his teachers discouraged him from "doodling" but it only made him want to paint and draw even more.

That is why he taught himself art. As a child without a family television, he and his brother would each start drawings every evening as "entertainment." Then they would each show the other their personal "take" on the world around them, usually falling on the floor laughing at the others hilarious illustrations of teachers, pets, family, friends, and mythical creatures of their own invention. That set the groundwork for what later became his signature style of art on canvas, board, or what ever he could find. His is a kind of long-hand 'doodling' bordering on fine art but with a folksy accessibility.

Timmy wanted to perfect what he loved. He took inspiration from- pulp comic book art, vintage advertising, cartoons and supermarket tabloid illustration, as well as classical Japanese art of the Edo period found in books. To him, art could be found everywhere and belonged everywhere. Even on the human body.

Fascinated by traditional Japanese and Asian body art, Timmy began tattooing in 1994, an event that forever changed his life and his name. TimmyTats was born. Making art became Tim's life and livelihood and started him on a life-long journey of discovery.

Timmy simply knew that answering the challenge of making art was to be his calling, claiming that nothing ever gave him such personal fulfillment. "Growing up, I never had much but this is all I could ever hope for" says the talented but self-effacing artist about his true passion. "I strive to be the best I can be and never stop learning."

Timmy's "take" on art still takes edgy delight of the absurdity of life and what might be described as the so-called "real art" practiced by followers of "Art Academia." No subject is too arcane for his keen wit. An angry, blue-faced "Kommissar" with his errant kitty in cameo holds its place among a pantheon of other weird and wonderful paintings. His first work, a large canvas depicting "The Queen of the County Fair" shows a cartoon-esk babe holding a bottle of booze and a questionable corn dog thinking about the "Koolist Kat" around while the smitten but rejected corndog salesman smashes his inventory in lonely frustration. Sometimes cryptic, there is always "back story" to his art and it is a tale usually spun by a cheeky narrator. So much the luckier we all are for it.

In "Creepy Crawly," a perversity of Dr. Suess, the not-too-menacing arachnid spokes his web against a blood-red sky. For what or for Whom does it lurk? we wonder.

Other works still hold an edge but are more straight-up imagery. A simple detail of a koy-illustrated silk komono (of the Edo period perhaps?) takes us to a far away place and time. The folds of the precious garment become the still waves of a Zen pool. Perhaps the kimono belongs to the moon-faced geisha in another Asian-inspired painting, homage to an exotic life unlived.

Then there are true Tatoo Art pieces on canvas pretending to be advertisements for a Parlor decades long past exampled by the "Cherry Bomb" babe or one simply named "No Drunks," a title that says it all.

The works of Timmytats are found exclusively at RaZoO GaLLeRy of Fort Lauderdale. For more information, availability or pricing contact webmaster@razoogallery.com or call 954.663.3888 (eastern time zone).
webmaster@razoogallery.com

Click painting to enlarge

1timmytats.jpg Kommassar's Skat

2timmytats.jpg No drunks

3timmytats.jpgQueen of Fair

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